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raghuvamsa kumarasambhava kiratarjuniya shishupalavadha amarushataka shatakatrayam shakuntalam pancatantra kadambari shringaraprakasha meghaduta rtusamhara naishadhiya bhattikavya

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भट्टिकाव्यम् (रावणवधः)

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Showing 41 to 50 of 75 verses
Verse 41
अ-परीक्षित-कारिणा गृहीतां त्वमनासेवित-वृद्ध-पण्डितेन ।अ-विरोधित-निष्ठुरेण साध्वीं दयितां त्रातुमलं घटस्व राजन् !" ॥
Metre: औपच्छन्दसिक
Karandikar: Oh King, exert yourself amply for rescuing your virtuous (and) beloved wife, kidnapped by one who acts without thought who is learned but (has) not served the elders, and who, (though) unoffended, is merciless.

Verse 42
स च विह्वल-सत्त्व-संकुलः परिशुष्यन्नभवन्महा-ह्रदः । परितः परिताप-मूर्च्छितः पतितं चाऽम्बु निरभ्रमीप्सितम् ॥
Metre: वियोगिनी
Karandikar: That huge lake (Rama), crowded with distressed creatures (distressed by his despondent spirit), had become completely dried up (emaciated ) ( being ) exhausted all around by the excessive heat (rendered unconscious by the heavy grief all around). And, just then, the desired water (news about Sita) came down without any clouds.

Verse 43
अथ लक्ष्मण-तुल्य-रूप-वेशं गमनाऽऽदेश-विनिर्गताऽग्र-हस्तम् । कपयोऽनुययुः समेत्य रामं नत-सुग्रीव-गृहीत-साऽऽदराज्ञम् ॥
Metre: औपच्छन्दसिक
Karandikar: Then, having assembled together, the monkeys marched behind Rama, whose form and dress were similar to Laksmana's, whose forearm was stretched out (to issue) the command for departure and whose order was accepted with respect by Sugriva who had bowed down (to him).

Verse 44
कपि-पृष्ठ-गतौ ततो नरेन्द्रौ। कपयश्च ज्वलिताऽग्नि-पिङ्गलाऽक्षाः । मुमुचुः प्रययुर्द्रुतं समीयुर्वसुधां व्योम महीधरं महेन्द्रम् ॥
Metre: औपच्छन्दसिक
Karandikar: Then the two princes, seated on the back of (two) monkeys, and (all) the monkeys whose eyes were tawny like ignited fire, abandoned the ground, went up into the sky and quickly arrived at the Mahendra Mountain,

Verse 45
स्थितमिव परिरक्षितुं समन्ता- दुदधि-जलौघ-परिप्लवाद्धरित्रीम् । गगन-तल-वसुन्ध्राऽन्तराले जल-निधिवेग-सहं प्रसार्य देहम् ॥
Karandikar: - which, after having spread its form , capable of withstanding the onslaught of the sea-waters, stood, as though for protecting the earth from being flooded by the rushing waters of the ocean ;

Verse 46
विष-धर-निलये निविष्ट-मूलं शिखर-शतैः परिमृष्ट-देव-लोकम् । घन-विपुल-नितम्ब-पूरिताशं फल-कुसुमाऽऽचित-वृक्ष-रम्य-कुञ्जम् ॥
Metre: पुष्पिताग्रा
Karandikar: —whose base was rooted in the abode of the snakes (Patale), which brushed the divine world (heaven) with hundreds of summits, which pervaded the directions with its massive and expansive slopes, whose delightful arbours of trees were loaded with fruits and flowers ;

Verse 47
मधु-कर-विरुतैः प्रियाध्वनीनां सरसि-रुहैर्दयिताऽऽस्य-हास्य-लक्ष्म्याः । स्फुटमनुहरमाणमादधानं पुरुष-पतेः सहसा परंप्रमोदम् ॥
Metre: पुष्पिताग्रा
Karandikar: -which was clearly imitating the utterances of (Rama's) beloved by means of the humming bees, and the charm of the smile on (her) face through the lotuses and was suddenly imparting the highest joy to the lord of men (Rama) ;

Verse 48
ग्रह-मणि-रसनं दिवो नितम्बं विपुलमनुत्तम-लब्ध-कान्ति-योगम् । च्युत-घन-वसनं मनोऽभिरामं शिखर-करैर्मदनादिव स्पृशन्तम् ॥
Metre: पुष्पिताग्रा
Karandikar: —which, as though through love, was touching with its hands, in the form of peaks, the expansive slope of the sky which bore the planets resembing a girdle of jewels, which had attained an unsurpassable union with lustre , where from the garment-like cloud had slipped away and which was attractive to the mind;

Verse 49
प्रचपलम-गुरुं भराऽसहिष्णुं जनमसमानमनूर्जितं विवर्ज्य । कृत-वसतिमिवाऽर्णवोपकण्ठे स्थिरम-तुलोन्नतिमूढ-तुङ्ग-मेघम् ॥
Metre: पुष्पिताग्रा
Karandikar: -which (being itself) firm, of unparallelled height and one that had borne the lofty clouds, had, as it were, made its residence in the vicinity of the ocean, after having avoided the (populated) world that was neither firm, nor heavy, nor capable of bearing weight nor lofty (enough);

Verse 50
स्फठिक-मणि-गृहैः स-रत्न-दीपैः प्रतरुण-किन्नर-गीत-निस्वनैश्च ।अमर-पुर-मतिं सुराऽङ्गनानां दधतम-दुःखमनल्प-कल्प-वृक्षम् ॥
Metre: पुष्पिताग्रा
Karandikar: —which was void of sorrow, had ample wish-yielding trees and which, through its houses of quartz-jewels was having jewel-lamps, and through the notes of the songs of the very young kinnara-s, was instilling the misconception), among the divine damsels, of (its being) the city of the gods.