Natyashastra is not merely a handbook or manual for the art of Theatre; it is a philosophy that speaks of Purushartha (the four aims of human life) within drama. Bharata Muni was courageous enough to directly contradict the Manusmriti through logic and debate. He educated the lower strata of society in a knowledge that was previously inaccessible to them and gave a distinguished place to the identity of the actor and artist in society. By discussing Theatre, Bharata was addressing the science and union of all arts and crafts in India.
“Natyashastra” encompasses every form of knowledge, art, skill, yoga, and action.
“Na taj jñānaṃ na tac chhilpaṃ na sā vidyā na sā kalā
Nāsau yogo na tac karma nāṭye’smin yan na dṛśyate.”
1.116
(Meaning: There is no knowledge, art, skill, yoga, or action that is not found in Theatre.)
Hence, Bharata himself referred to it as the fifth Veda
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