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My Journey with Natyashastra (Part 2)

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বাংলায় পড়ুন Natyashastra is not merely a handbook or manual for the art of Theatre; it is a philosophy that speaks of Purushartha (the four aims of human life) within drama. Bharata Muni was courageous enough to directly contradict the Manusmriti through logic and debate. He educated the lower strata of society in a knowledge […]

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A Review of Indian Aesthetics and Applications in the Vishnudharmottara Purana (Part 1)

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My initial encounter with the Vishnudharmottara Purana occurred while pursuing a diploma in Indian aesthetics at Ramakrishna Mission, Golpark. Despite leaving the program halfway due to frequent questioning and disagreements with some instructors, I managed to glean essential knowledge, much like a swan selecting sustenance from mud. The most significant benefit was understanding what to

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My Journey with Natyashastra (Part 1)

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বাংলায় পড়ুন A decade ago, in March 2013, I visited Manish Da’s (Manish Mitra, the director of the Kasba Arghya theatre group) home for the first time for a lunch invitation. That afternoon marked my initial foray into Kolkata’s professional Theatre world, although my relationship with the stage was not new. Despite my teenage uncertainties

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উপন্যাস (Novel)
গোপনবাসীর কান্নাহাসি (Whispers of Laughter and Tears)
কবিতা (Poems)
গল্প (Short Stories)
নিবন্ধ (Articles)
নাট্যশাস্ত্র (Natyashastra)
নন্দনতত্ত্ব (Aesthetics)
অন্যান্য (Other)
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