- February 2025
- Conference: International Seminar on Current Trends in Performing Arts: With Reference to Theory and Practice
- At: The Faculty of Performing Arts, Banaras Hindu University, Varanasi, India
Abstract (En)
This article is the result of studying the significant role of Śrī Piyal Bhattacharya in the reimagining and restaging of Mārga Nāṭya, the Vedic theatrical tradition. Lauded as the ‘Guru of a Lost Tradition’ by The Hindu, Bhattacharya focuses on the empirical restoration of performance techniques rooted in the Bharata’s Nāṭyaśāstra. Comprehensive research, applied explorations and practical implementations have helped him bring renewed attention of the connoisseurs to the forgotten dimensions of Indian performance arts. His commitment to safeguarding the essence of Mārga Nāṭya highlights his multifaceted contributions as a scholar, artist, and Ācarya. This article investigates his aesthetics, philosophical perspectives, and methods, showcasing his distinct approach to revitalising a tradition that merges scholarly knowledge with performance practice. It highlights the artistic interpretation and understanding of Indian philosophical traditions and their application to stagecraft.
Methods
The methodology comprises:
- Real-time monitoring: Take part in rehearsals, training sessions and performances under Śrī Piyal Bhattacharya’s mentorship.
- Dialogues and Discussions: Conduct extensive, one-on-one discussions with Bhattacharya to uncover perspectives into his philosophies, methodologies, and hands-on components to reconstruct and restage a Mārga Nāṭya performance.
- Document Analysis: Reviewing Bhattacharya’s published and unpublished articles, notes, and performance scripts.
- Fieldwork: Observing the practical application of Nāṭyaśāstra principles in live productions, training sessions and workshops.
- Research Sources:
- Primary Sources: Interviews, articles, and writings by Bhattacharya.
- Secondary Sources: Reviews, critiques, and scholarly articles on Mārga Nāṭya.
- Performances: Recorded performances and workshops led by Bhattacharya.
References
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